DIDJERIDU ITALIA is the trademark created by Papi Moreno in 1997, by which he
produces and promotes the didjeridoo music.
The
aim is to research and make music with the didjeridu, to tailor
a musical outfit around it through a new music stage, freshly
and brightly raised : the DIDJERIDU MUSIC
Look
at pages 1 and 2 with works and past events of 2001 / 2002 / 2003 / 2004 / 2005
He
worked at theatre and music works whit: Gianmaria Testa, Giuseppe
Cederna; Paolo Rossi; Marco Paolini; Carlo Actis Dato; Piero
Ponzo; Gianluigi Trovesi; Fiorenzo Sordini; Rino Vernizzi; Luca
Morino and Fabio Barovero (Mau Mau); Gigi Venegoni; Alessandro
Cerino;Giovanni Falzone; Marco Cimino; Enrico Fazio;Claudio
Fossati; Ciro Buttari; Dino Pelissero; Patrizia Besantini; Giancarlo
Cagliero (Doctor Jazz); Tommy Emmanuel; Wendy Morrison; Monica
Smith; Saul Beretta; Debora Mancini; Ancilla Oggioni; Federico
Andreoni; Giorgio Casati; Andrea Zani; Roberto Zanisi; Gennaro
Scarpato (Edoardo Bennato);Tann“ Walter Mandelli; Giovanna Gattuso;
Gilson Silveira; Luis Cashis; Ferdinando Chiquitico Despaigne;
Roberto Taufic; Simon Papa; Charlie Frascˆ; Filippo Gambetta;
Ezio Salfa; Federico Marchesano; Toni Santos; Riccardo Serra
(Lou Dalfin); Nihar Mehta; Mario Brai (Marenostrum); Gesuino
Deiana; Marcello Vitale; Sandro Fresi; Andrea Pisu; Ossi Duri;
Dunumba Afro Percussion; La Tarantola; Turin Sermig Orchestra;
Italian Chamber Orchestra with the Maestro Accardo; Edoardo Bennato.
He founded his own atelier
VistaMole in Turin in 1998, which includes his research on didjeridu
sounds and harmonics.
He
has collaborated on the creation of the book: Therapy of
Dance and Sound (Berenice d'Este - CET Publisher - 1998).
He
produced in 1998, with Patrizia Besantini, "PASSI"
mimedance and didjeridu show.
He
produced the "Passi" cd (Didjeridu Italia 1999
- MAP 2000).
He
wrote the method book: Didjeridoo, the australian aboriginal
wind instrument (CET Publisher - 2000).
He
produced in 2001, with Patrizia Besantini and Giancarlo Cagliero,
"KOOKABURRA" mimedance, didjeridu and electronic music
show.
He
founded the Papi&Tannì duo in 2001 with Walter Mandelli
and he produced the CD "In the beginning" (Didjeridu
Italia 2001) .
He
founded the Triad group in 2002 with Walter Mandelli and Gennaro
Scarpato and he produced the CD "Didjedrum" (Didjeridu
Italia 2002).
He
founded the Parallelo Zero group in 2003 with Walter Mandelli,
Gennaro Scarpato and Ezio Salfa and he produced the CD "World
Tour" (Didjeridu Italia 2002).
He
founded the "SweetDuo" in 2004 with Monica Smith and
he produced the CD "SWEET" Acoustic Ambient Music (Didjeridu Italia 2004).
He
wrote the second's method book: Didjeridoo, to play a tree (Musica Practica Publisher - 2005).
He
produced the new song "D.j.Redo" with DocMarcus and
DocDelavie (Doctor Jazz) - (Didjeridu Italia 2005).
He is part of the Australian Music-Mosaic compilation together
with some of the international didjeridu players (Didgeridoo Trance Dance II - Music Mosaic, Australia).
He
is in touch with Australian didjeridu related people such as
Rripangu Yirdaki, Mainz Pty, Wandoo Didgeridoo, Yidaki-Doo Pty,
Didjshop, Gondwana Gifts, Prodidjas Didgeridus, Aboriginal Fine
Arts.
CONCERT
FOR THE POPE Ð In front of the Pope John Paul II with Turin
Sermig Orchestra at the Vatican (Nervi Room, Rome).
(with
the Orchestra at Nervi Room Ð the Pope seen from my position
- the room with 10,000 people)
He
was together with the Music Opera dedicated to Pope John Paul
II directed by Maestro Salvatore Accardo with the Italian Chamber
Orchestra and the music Ensemble of the Arsenale della Pace.
Turin Sermig Auditorium (in the picture below).
(The
White Cockatoo in Alba, Cuneo, Italy - A recent image of Wadumbah
- Mark Atkins)
His
research with didjeridu has led hem to meet and share "sound"
experiences with: the Aboriginal player Mark Atkins; the Swedish
player Lars Wallin with whom I supported the traditional Aboriginal
group White Cockatoo; the Australian Aboriginal group Wadumbah
which I accompanied along their Italian tournée: the Tibetan
Monks and their long metal trumpets met in various events; the
"Fana" wirling Dervish ensemble with which I played
a couple of times while they were performing their trance dance;
the Indian tabla player Nihar Mehta guest in my atelier; the
Australian virtuous guitar player Tommy Emanuel with whom I
played at the Australian Consulate in Milan.
(The
wirling Dervish group "Fana" - Nihar Mehta - Tommy
Emmanuel)
